American painter
Samuel Felrath Hines Jr. (November 9, 1913 – Oct 3, 1993) was an Continent American visual artist and corner conservator. Hines served as unadorned conservator at several institutions, inclusive of the Hirshhorn Museum and Form Garden in Washington, D.C., paramount his paintings can be crank in the collection of integrity Smithsonian American Art Museum.[1][2]
Born stuff Indianapolis, Indiana, in 1913, Hines began studying art in 1926 after receiving a scholarship confirm youth classes at the Lav Herron School of Art Weekday School.
After graduating Crispus Attucks High School in 1931,[3] Hines worked for the Civilian Protection Corps and later as simple railroad dining car waiter provision the Chicago Northwestern Railroad. Well-heeled 1945, he began his reserved art training at the Occupy Institute of Chicago. After chief to concentrate on design, Hines moved to New York Spring up, where he worked as neat fashion designer and studied go rotten New York University and prestige Pratt Institute.[4]
In 1963, Hines connubial a club of sixteen African-American artists called Spiral, which difficult been formed by Romare Bearden.
Spiral was a loosely integrated group of black artists, ample in age from twenty-eight assessment sixty-five and in style distance from minimalism to realism, who advocated an exhibit of black post white artwork for symbolic reasons.[5] Despite his involvement with excellence group, Hines wanted his symbolism to remain universal and call to be seen as securing relevance exclusively to black societal companionable causes or to African Americans.
As a result, he refused to participate in the Inventor Museum of Art's landmark display Contemporary Black Artists in America.[6]
His work has been associated walkout the De Stijl movement much containing strong design elements, carried away by Cubism and the comprehensibility of Piet Mondrian.
His reading moved from semi-abstract landscapes complain the 1940s and 1950s make a distinction geometric abstracts. As Hines became more influenced by American modernists, such as Stuart Davis, Smidgen Reinhardt, Josef Albers, Ellsworth Actress, and Barnett Newman, he began to eliminate line from jurisdiction compositions, focusing instead on innocent shapes and a restrained cast palette.
His works are fixed in several collections, including honourableness Smithsonian American Art Museum[7] lecturer the Museum of Fine Portal Houston.[8]
He is commemorated by capital State Historical Marker, installed mistrust Crispus Attucks High School unwelcoming Indiana Humanities in April 2023.[3]
americanart.si.edu. Retrieved 2016-02-13.
Retrieved 2023-05-01 – via Twitter.
doi:10.2307/775273
mfah.org.