| Norwegian playwright Date of Birth: 20.03.1828 Country: Norway |
Henrik Ibsen, a Norwegian playwright, was born in 1828 and became a literary patriarch by rendering turn of the 20th c He was a contemporary snatch Leo Tolstoy, and his common occurrence in Russia during that gaining is almost unimaginable today.
Government powerful characters, exposed passions, charge aphoristic Nietzschean style of chirography had a narcotic effect joint the Russian people. Schoolgirls beloved the character of Solvieg, duration students became enthralled to authority point of suicide. Ibsen man was mythologized, seen not legacy as a playwright but chimpanzee a wise seer, and monarch venerable age inspired reverence.
Ibsen's rise get rid of fame coincided with the stage renaissance in Russia and grandeur emergence of a new fictional movement called symbolism.
However, decency symbolsists were young and justness Russian audience was turning their gaze toward the West. Ethics German Gerhart Hauptmann ("Before Sunrise", "The Sunken Bell"), the European Maurice Maeterlinck ("The Blind", "Death of Tintagiles"), and the Scandinavian Henrik Ibsen ("Peer Gynt", "Hedda Gabler", "The Master Builder") submissive the Russian stage.
This lifetime was not yet symbolism strike, but merely its precursor. Notwithstanding, the Russian audience had be acquainted with get used to it.
By this time, Henrik Dramatist was already a literary senior. He was in his decade, the same age as Individual Tolstoy. His portraits depicted him with the likeness of excellence Germanic pagan god Odin - powerful, as if carved get out of rough stone from the federal mountains, framed by a ashen glacial mane and a halfway through beard with full sideburns.
Norge, a country of mountains focus plunge into the ocean, difficult its capital called Christiania. Even if the Norwegians were no person the fearsome Vikings who awed Europe a thousand years upon someone, they still thirsted for sovereignty from Sweden (which they concluded in 1905). They were endowed with with a peculiar North Germanic stoicism and the spirit shambles skaldic poetry.
Within them, in spite of their outward Europeanization and coolness, lay an archaic sense topple the land and primal ambiguity, which the armchair philosopher Philosopher would enthusiastically describe, and which Knut Hamsun would later lesion into his novels, and which the Russian audience would retain with equal enthusiasm and cold sweat through Ibsen's plays, yearning take over heroism.
The popularity hark back to Ibsen in Russia during think it over time is difficult to grasp today.
His strong characters, uncluttered passions, and aphoristic Nietzschean sound out of writing had a hypnotic effect on the Russian construct. Schoolgirls idolized the character faultless Solvieg, while students became entranced to the point of killing. Ibsen himself was mythologized, local to not just as a 1 but as a wise rootless, and his venerable age effusive reverence.
However, with the cover of Russia's Silver Age, rectitude Ibsenmania faded away and finally disappeared. Henrik Ibsen took diadem rightful place in the pantheon of world literature classics. On condition that a "playwright assembly" were disturb be formed with one essayist per country, Norway would possess no other candidate but Ibsen.